What is your most beautiful thing?
Is it your one year old niece's golden smile? The pale pink peony buds
in your garden? A silver ring given to you by your grandmother? Your
shiny red Vespa scooter? Is your most beautiful thing a place or a
moment? Is it a philosophy or a value?
On Tuesday the 24th of April, we're organising a Blogsplash to
celebrate beautiful things, inspired by Fiona Robyn's new novel, 'The Most Beautiful Thing'.
We're inviting people from all over the world to blog, tweet & write about their own most beautiful thing.
You could post a photo or write a prose piece about your most beautiful thing. You could write a small stone
or show us a piece of artwork you've made in honour of your most
beautiful thing. It's completely up to you. You could be extravagant and
post a whole series of your most beautiful things.
We'll make a directory of everyone who's taking part here, sending new visitors to your blog, and we'll also re-post our favourite entries on this blog over the following month.
If you're interested in taking part, email Fiona
with 'blogsplash' as the title and she'll send you more details. You can
get thinking and set up your blog post as soon as you like.
I have no idea what I'm going to do (may have be more than one post!) but I hope you'll join me next week :)
Splish splash!
Unless stated otherwise, all poetry on Swimming in Lines of Haiku is Copyright Kirsten Cliff and may not be reprinted in any form without written permission from the author. kirsten(DOT)cliff(AT)gmail(DOT)com
Tuesday, April 17, 2012
Monday, April 16, 2012
Wind Chimes...
wind chimes...
that same anxiety
rising again
Kokako 16 (April 2012)
Haiku & photography © Kirsten Cliff
Labels:
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Friday, April 13, 2012
My Year of Submission
IT
BEGAN LAST YEAR on 7th
January when I made the bold statement on my blog: I've
decided to submit to a poetry publication or competition every week
in 2011.
What
can I say? I love poetry!
Plus
I hadn't submitted much in 2010: I had my
hands full, and my spirit clouded, with leukaemia.
In this first week of the New Year I was also hyped up on writing a
poem-a-day (PAD) for the first International
Small Stones Writing Month (A River of
Stones) and my inspiration had kicked into overdrive. I
wanted to get back out there. Observing, tasting, trying, writing,
reading, submitting...
The first four weeks went by and four poetry
submissions were sent off. Without pause, I was participating in
another PAD in February: the first NaHaiWriMo (National Haiku Writing
Month).
A further four weeks past and this time I sent out
seven submissions. I was getting bolder. I sent poetry to
competitions I'd never seen before, and haiku to a journal that I'd
previously been too nervous to approach. I got a rejection. Another
was the A River of Stones anthology. I got an acceptance:
loading
the dishwasher:
remembering
how
he likes the teaspoons
in
a particular slot
and
how he said today
when
we sat in the garden
"I like the
shapes of the leaves on our trees."
Through March my spirits remained high and making
weekly submissions was proving manageable. My first month with five
weeks and five submissions were sent off.
April, and yep, I did a third PAD challenge. This time
it was NaPoWriMo (National Poetry Writing Month) and another first
for me. More poetry was written, read, shared and submitted.
Following a set of daily prompts this time, I tested my skills with
triptych, concrete poetry, rhyming- and free-verse, as well as my
favourite Japanese short forms.
The months went on and I faithfully submitted poems
every week, and I wrote a lot, too. Work that I'm really proud of
regardless of whether or not it has found its home in a publication,
or stayed at home with me. I thought about quitting my self-imposed
challenge several times. Why was I doing this again? But something
within just made me keep on going. Some weeks, if I wasn't very well,
or just seriously over it, I'd quickly submit a haiku to one of the
free entry competitions with an on-line form. So easy! Then I'd sigh:
Another week complete. Other weeks would see me submit to two or
three different places.
Week
26: I've never before been waiting on
so many editors' verdicts and competition results: currently awaiting
replies from seven publications (on-line and in print), two
anthologies and five competitions. Phew!
I was spurred on by my successes, and the growing
number of poets I was meeting on-line after four PAD challenges (A
River of Stones again in July) and my blog and Facebook posts.
Through these social media interactions I discovered new places for
my poems. I also got to read lots more great poetry as I found other
writers' blogs and Facebook pages: names I now recognised from these
new journals I was reading and sending my work to.
I entered the most competitions I ever had during this
year. But sadly had no success, except for my Commended in the NZPS
International Haiku Contest with:
tears
the doctor shifts
in his seat
Any
fear of rejection I might have had about submitting my little poems
from NZ to some of the big US journals went right out the window. It
had to. This was my year and I wanted to make the most of it. I was
delighted when this haiku was accepted to The
Heron's Nest
after my first time submitting there:
first winter's day
I slip into
his gumboots
Getting
an acceptance was always exciting news, especially from the journals
that were new to me. My ultimate high came from being accepted as a
contributor for Cycle 12 of DailyHaiku,
where 28 of my haiku have appeared over a six-month period:
cherry blossoms...
the bride-to-be offers
a sun-kissed cheek
As
the end of the year drew near, I got busy. Nothing too strenuous,
just getting married, buying a house, relocating to another region,
all while having maintenance treatment for leukaemia (I'm still in
remission!). December was the hardest month overall. Half unpacked,
only dial-up Internet access, exhausted: I'd had enough. But I still
somehow struggled through my submissions each week, then welcomed the
end of my year. Week 52: TICK!
It's satisfying to have been published in twenty-two
publications over the past twelve months. An even better reward is
when fellow writers from across the world tell me that I inspire
them; sending me messages that my poems have touched them or brought
a tear to their eye. I'm extremely grateful for these moments. I'm
honoured to have my work read and enjoyed by so many people. I'm
happy to be back in full force on my poetry journey.
This article was written for, and first published in, a fine line, The Magazine of the New Zealand Poetry Society, March 2012.
Wednesday, April 11, 2012
Feathered Poets
I'm very happy to be one of Angie Werren's 'feathered poets' this month as part of National Poetry Month and Couplets: a multi-author poetry blog tour. Yesterday one of my previously unpublished photo-haiga was hosted on Angie's blog, which you can find here. Angie is showcasing different poets everyday so pop on over to her blog and find someone you haven't heard from before. You never know where it may lead you! :)
Monday, April 9, 2012
All I have to do is Dream...
![]() |
| Click on image to enlarge |
I've been writing a few more dream haiku just recently, inspired by Aubrie Cox's latest call for submissions over at Yay Words! She is putting together another project, this time with a focus on DREAMS and FOXES. Find out how you can be involved here.
I've just finished a dream rengay, especially written for the project, with Cara Holman. This is our third rengay together, and I find it a very enjoyable experience. The first two have been accepted to A Hundred Gourds, which comes out in June. I hope Aubrie likes our latest one, which we've titled 'Dream Catcher'.
Friday, April 6, 2012
Tanka Sonnets
I first heard about tanka sonnets last year when I read two on Claire Everett's blog, At the Edge of Dreams. You can read her beautiful examples lifting the veil and a crow's wing by clicking on the titles. Seriously, go and read them. They are amazing!
I started experimenting with tanka sonnets in January, writing three at that time and really enjoying the form. I plan to send two into New Zealand's Kokako magazine for consideration next month. The third saw the light of day when it appeared on Margaret Dornaus' blog Haiku-doodle yesterday as part of her National Poetry Month: Guest Post series.
You can check out The day the willow spoke by clicking on the title, and also read a bit about why I write haiku once you're there. Margaret is hosting many poets over the course of April so do check in regularly to learn more about writers you already know, and to meet new ones too.
I started experimenting with tanka sonnets in January, writing three at that time and really enjoying the form. I plan to send two into New Zealand's Kokako magazine for consideration next month. The third saw the light of day when it appeared on Margaret Dornaus' blog Haiku-doodle yesterday as part of her National Poetry Month: Guest Post series.
You can check out The day the willow spoke by clicking on the title, and also read a bit about why I write haiku once you're there. Margaret is hosting many poets over the course of April so do check in regularly to learn more about writers you already know, and to meet new ones too.
Wednesday, April 4, 2012
How Close I Came...
today I thought about
how close I came
to dying...
another white camellia
falls to the ground
Kokako
16 (April, 2012)
Photography & tanka © Kirsten Cliff
Labels:
camellia,
dying,
ground,
images,
Kirsten Cliff,
Kokako,
photography,
tanka
Monday, April 2, 2012
My First Appearance For Poetry Month
Below is the link to Cara Holman's blog Prose Posies, where I'm first to appear this month in her April Poet Showcase for National Poetry Month. Keep checking in to be introduced daily to new poets and their writing. I will be! :)
Sunday, April 1, 2012
Happy April Fool's Day!
April 1st - when Daylight Saving ends in New Zealand and [Inter]National Poetry Month begins!
I'm far too exhausted in every possible way to do something daily on my blog this month. But I'm very excited to have been invited by three poet friends - Angie Werren, Margaret Dornaus and Cara Holman - to appear on their respective blogs with haiku, tanka, haibun, haiga and a few words about my poetic life. Tune in to Angie's feathers, Margaret's Haiku-doodle and Cara's Prose Posies this April to read lots of great poetry and be inspired!
Below is the April page of the calendar I made for my family. The haiku was first published in the taste of nashi - New Zealand Haiku (Windrift, 2008) and the photo was taken in the backyard of my old home in Papamoa last year. Remember it's autumn in New Zealand so monarch butterflies are in abundance right now! (Click on photo to see larger image.)
Speaking of New Zealand haiku - The Haiku Foundation's 'Per Diem: Daily Haiku' feature this month is being edited by award-winning Kiwi haijin Sandra Simpson and features haiku from Aotearoa (NZ). Check in to THF homepage daily to see a fresh poem on the lower right-hand side of your screen, including one of mine. Enjoy! :)
I'm far too exhausted in every possible way to do something daily on my blog this month. But I'm very excited to have been invited by three poet friends - Angie Werren, Margaret Dornaus and Cara Holman - to appear on their respective blogs with haiku, tanka, haibun, haiga and a few words about my poetic life. Tune in to Angie's feathers, Margaret's Haiku-doodle and Cara's Prose Posies this April to read lots of great poetry and be inspired!
Below is the April page of the calendar I made for my family. The haiku was first published in the taste of nashi - New Zealand Haiku (Windrift, 2008) and the photo was taken in the backyard of my old home in Papamoa last year. Remember it's autumn in New Zealand so monarch butterflies are in abundance right now! (Click on photo to see larger image.)
| April 2012 - Kirsten's Calendar of Haiku & Photography |
Speaking of New Zealand haiku - The Haiku Foundation's 'Per Diem: Daily Haiku' feature this month is being edited by award-winning Kiwi haijin Sandra Simpson and features haiku from Aotearoa (NZ). Check in to THF homepage daily to see a fresh poem on the lower right-hand side of your screen, including one of mine. Enjoy! :)
Labels:
Angie Werren,
blogs,
breath,
butterfly,
calendar,
Cara Holman,
haiga,
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images,
Margaret Dornaus,
monarch,
National Poetry Month,
photography,
poetry,
Sandra Simpson,
The Haiku Foundation,
the taste of nashi
Thursday, March 29, 2012
A Spring 'ku for my Northern Hemisphere Haikuists
first spring star...
the part of me
that wants to cry
Kokako 16 (April 2012)
Photo & haiku © Kirsten Cliff
Labels:
cry,
haiku,
images,
Kirsten Cliff,
Kokako,
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Monday, March 26, 2012
Mice and Jam and Poetry...
The cooler temperatures of our beloved Autumn are already encouraging the field mice to seek warmth inside country homes. Hubby and I have had three in our kitchen so far! An interesting winter it shall be :) And the perfect time to share this poem and recipe, which appeared in Narratives with Nosh: Stories, Poems & Recipes edited by Margaret Beverland with Jenny Argante (Tauranga Writers, 2009).
The
rush
O, the
rush of independence
on
assassinating my first mouse
with a
dollop of strawberry jam
and a
state-of-the-art plastic trap
Four
days on the hunt
bruised
knees from searching under furniture
for a
glimpse of something
I didn’t
want to see
Nights,
sleepless, waiting to hear SNAP!
instead
a scratch a scuttle a squeak
Then at
4 p.m. on a rainy Thursday
I got
it!
My high
short-lived
as I
contemplated disposal of the body
Chocolate
jam-drop muffins
Ingredients:
- 1 large (rounded) Dsp margarine
- ½ c brown sugar
- 1 tsp vanilla essence
- 1 egg
- 1½ c flour (for gluten free use 1¼ c Tapioca flour, ¼ c rice flour)
- 1 tsp baking powder (for gluten free use baking powder that is gluten free too)
- ½ c cocoa
- ½ tsp baking soda
- pinch of salt
- ¾ c milk
- ½ c jam (your choice)
Method:
- Preheat oven to 150 degrees C with fan bake, or 180 degrees without fan bake.
- Line a muffin tin with muffin cups (or grease with margarine).
- In a large bowl, cream margarine, sugar and vanilla essence. Beat in egg.
- Sift flour, baking powder, cocoa, baking soda, and salt into the creamed mix.
- Fold in gently, adding the milk. Stir only to combine and stop once mixed well.
- Into each muffin cup, put about a Dsp of mix, enough to cover the base.
- Follow with a tsp of jam onto the top, and then use the remaining mix to fill the muffin cups so that each muffin is roughly the same size, and all jam is covered.
- Bake for about 10-12 minutes, or until well risen and springs back when lightly pressed.
- Cool on a wire rack, ice if you like them iced, or eat as is.
Chocolate
butter icing
Ingredients:
- 1 c icing sugar
- ½ c cocoa
- 1 Dsp margarine or softened butter
- 1-3 Tbsp milk
Method:
- Sift cocoa and icing sugar into a bowl. Mix in butter and milk, and then whip with a fork or spoon until icing is thick.
Friday, March 23, 2012
Straight From the Haijin's Mouth #2
'Straight From the Haijin's Mouth' is one of the features that makes up my haikai column in a fine
line, The Magazine of the New Zealand Poetry. This edition is from the November 2011 issue, and is reprinted with the kind permission of Laurice
Gilbert, Nola Borrell and Karen Peterson Butterworth.
Straight From the
Haijin's Mouth
I
asked the co-editors of the latest national haiku anthology the
taste of nashi,
Nola Borrell and Karen Peterson Butterworth, 'What is the most
valuable piece of advice you have ever received about writing haiku?'
Nola
Borrell's answer:
At the risk of being contentious (or not published!), I think
'challenge' is a more useful word than 'advice'. Good haiku depend so
much more on a way of seeing, or as Martin Lucas (Editor, Presence)
says:
'To begin writing haiku, and to make progress to any significant
extent, requires two gifts:
- The ability to be alert to the subtleties of sensory or psychological experience (i.e. to notice things)
- A sensitivity to the subtleties of language (i.e. to be able
to express things).'
http://www.poetrysociety.org.nz/node/460
A challenge from Martin Lucas stimulated me to look more critically at my haiku. He talks about making a 'magical utterance' or a 'poetic spell', something archetypal/ rare/ essential, and in poetic language (4th Haiku Pacific Rim Conference, 2009, Terrigal, Australia). This seems more likely to reduce the human focus frequently dominant or at least intrusive in many current haiku, as well as prosy statements masquerading as haiku. http://www.poetrysociety.org.nz/node/456
A specific suggestion (just to keep in with Co-ordinator Kirsten!): Early in my writing I received this comment on a mainstream poem: How about avoiding weak endings to lines, such as 'of', 'the',' in'. Of course. Why hadn't I seen it! Thanks Harry Ricketts (V.U.W., Co-Editor, New Zealand Books). This makes even more sense in haiku - where each word and line ending is that much more significant.
A challenge from Martin Lucas stimulated me to look more critically at my haiku. He talks about making a 'magical utterance' or a 'poetic spell', something archetypal/ rare/ essential, and in poetic language (4th Haiku Pacific Rim Conference, 2009, Terrigal, Australia). This seems more likely to reduce the human focus frequently dominant or at least intrusive in many current haiku, as well as prosy statements masquerading as haiku. http://www.poetrysociety.org.nz/node/456
A specific suggestion (just to keep in with Co-ordinator Kirsten!): Early in my writing I received this comment on a mainstream poem: How about avoiding weak endings to lines, such as 'of', 'the',' in'. Of course. Why hadn't I seen it! Thanks Harry Ricketts (V.U.W., Co-Editor, New Zealand Books). This makes even more sense in haiku - where each word and line ending is that much more significant.
Karen
Peterson Butterworth's answer:
First the foundation. My artist mother who trained my eyes. When a
boring (to me) visitor arrived, ‘Watch her hands and do me a
drawing afterwards.’ With her water colour tubes laid out on a
white enamel tray, ‘Which colours would you mix for that sunset?’
Five minutes later, ‘Now which?’ My music teacher. ‘When it
says “staccato”, leave a tiny gap between each note, and for
“legato,” make the notes flow into each other.’ My Dad who sang
while he turned the separator handle for the cream on our porridge.
My bout with polio which gave me five months with nothing to do but
read and observe.
Then meeting haiku in my 50s. Reading,
listening, attending workshops. No single piece of advice springs to
mind, but gradually three pivotal messages crystallized. 1. Learn to
recognise a haiku moment. 2. Note it down straight away. 3. Choose,
change, chop, and chisel your words till you make them sing.
Copies of the taste of nashi: New Zealand Haiku (Windrift Haiku Group, 2008) are still available for sale. Find all the deatils here.
Wednesday, March 21, 2012
What Are YOU Reading?
March is NZ Book Month in New Zealand - a celebration of books and reading and words. I thought I'd let you know what I'm reading this March: I always have at least one book each of poetry, fiction and non-fiction on the go at any one time so that I have something to read no matter what mood I'm in.
Poetry:
I'd love to hear about what you're reading. Please feel free to share in the comments section, whether it's a book, journal or blog!
Poetry:
- Stepping Stones: a way into haiku by Martin Lucas (British Haiku Society, 2007)
- And poetry journals that have arrived in March - Kokako 16, paper wasp: a journal of haiku 18:1, Ribbons 7:4.
- The Carpathians by Janet Frame (First published in 1988)
- And I have just finished reading The Anthologist by Nicholson Baker (Simon & Schuster UK, 2009)
- Dreams and the search for meaning by Peter O'Connor (Methuen Haynes, 1986)
- And I'm reading aloud to hubby Marie-Louise von Franz: The Classic Jungian and The Classic Jungian Tradition edited by James A. Hall and Daryl Sharp (Inner City Books, 2008)
I'd love to hear about what you're reading. Please feel free to share in the comments section, whether it's a book, journal or blog!
Labels:
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fiction,
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Martin Lucas,
Nicholson Baker,
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Peter O'Connor,
poetry,
reading,
Ribbons,
Stepping Stones,
The Carpathians
Monday, March 19, 2012
The 4th KOKAKO Tanka Competition
The 4th Kokako Tanka Competition
Closing Date: 31st October 2012
First Prize: NZ$200
Second and Third Place prizes of NZ$50 each
Judge: Tony Beyer
Send entries to:
The Kokako Tanka Competition,
Patricia Prime
42 Flanshaw Road
Te Atatu South
Auckland 0610
New Zealand
Please make cheques out to Kokako
Overseas entrants may send cash at their own risk
Conditions of entry
- Tanka must be previously unpublished and not under consideration elsewhere.
- Entry fee is NZ$2 per tanka or 3 for NZ$5; for overseas entries: US$1 per tanka, or 4 for US$3. Any number of entries may be sent.
- Send two copies of each tanka, or group of tanka, with your name, address and email on one copy only.
- 1st, 2nd & 3rd tanka, 3 Highly Commended and 3 Commended entries will be published in Kokako 18 (April 2013).
- Winners will be notified by email or mail.
- Any theme is acceptable.
Any queries, email: Patricia Prime
Friday, March 16, 2012
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