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Unless stated otherwise, all poetry on Swimming in Lines of Haiku is Copyright Kirsten Cliff and may not be reprinted in any form without written permission from the author. kirsten(DOT)cliff(AT)gmail(DOT)com
Showing posts with label dreams. Show all posts
Showing posts with label dreams. Show all posts
Sunday, September 1, 2013
My Month of Dreams has Begun!
Finally September is here and so my month of Per Diem haiku has started over at The Haiku Foundation website. You can read my introduction to "Dream Speak" here, and view the first haiku on the home page here, which will change every 24 hours.
Above is the September page of my calendar. The picture is taken from the end of the road where I live. A busy first of the month with my mum's 65th birthday today, and also Father's Day in New Zealand. I hope your September 1st contained some haiku, some good laughs, and some yummy food, just like mine did! :-)
Tuesday, August 28, 2012
Sunday, August 5, 2012
Exploration
rainbow sky...
searching for the message
in last night's dreamFind out more about the 31 Different NaHaiWriMo Prompters for August 2012 here.
Tuesday, July 31, 2012
The SILOH Tanka Contest: RESULTS
Firstly,
my thanks to all who participated in The SILOH Tanka Contest. What an
honour to have read and collected these tanka from across the world
to celebrate my birthday and the Winter Dream theme. The process of
running this contest throughout July has definitely been an enjoyable
one as I've connected and reconnected with poets near and far, some
new to me, as well as those I call friends. I always feel there is a
generosity of spirit in sharing poetry in this manner. We put our
hearts into these pieces and then give them away, let them out into
the world without us. It has lifted my spirits to have so many of you
choose to share your tanka on Swimming
in Lines of Haiku.
My heartfelt gratitude goes out to each and every one of you.
There
were so many good, healthy tanka submitted that it was very hard to
choose a winner. I received many more submissions than I could have
imagined. A total of more than the age I'll be turning this birthday!
Entries came from the USA (18), UK (6), New Zealand (3), Canada (2),
Philippines (2), Australia (2), Singapore, Serbia, France and Japan,
totalling 37. After finally making a short list, and then over
repeated readings, there was one that kept springing from the page,
one that pulled an emotional and musical chord within me that
wouldn't quit. But before I reveal the winning tanka, I want to share
some of my favourite lines from the poems entered, in no particular
order:
I
grasp the edge of my dream Chen-ou
Liu (Canada)
the
choices I didn’t make Asni
Amin (Singapore)
to
the last beat of my heart
Claire Everett (UK)
the
full thunder moon Andrea
Grillo (US)
Cicadas
scream love songs
Charles T. Whipple (Japan)
Thank
you for sharing these wonderful words with me, dear poets. Of course,
you can read each of these tanka in full on the entries page.
In
the winning tanka, I was looking to be deeply moved. Tanka is a very
emotional experience for me: the reading and the writing of it. So
much so that I find I can't read too many in one sitting, and that I
most often write them myself when I'm feeling low physically,
emotionally and/or spiritually. The power of the poem has a strength
that I know can carry me away, beyond my immediate surroundings and
current mood, into a place that's often easier to keep hidden. Tanka
perhaps stay with me longer than haiku as more of my self is needed
to fully be present with the poem. The shift I feel with a stunning
tanka is immense, and the winner here had to take me on a journey.
But
I'm greedy: I also wanted lyricism. Tanka is, after all, poetry. I
wanted words and phrases that flowed, that fitted to perfection, no
flaws or missteps present. No punctuation or line breaks that stuck
out as not sitting right with me. I wanted words that sat together
comfortably and exquisitely as a whole, as well as individual lines
and images. And I found it...
my
dream is one
of winter long ago...
my cold father
whom first I met late in life
helps me build a snowman
of winter long ago...
my cold father
whom first I met late in life
helps me build a snowman
André
Surridge (New Zealand)
Author's
statement: I love the versatility of tanka. It
allows you to write about anything, real or imagined. As with haiku,
every word counts but tanka allows a little more breathing space. I
always feel that writing tanka is an opportunity to get closer to the
essence.
André's
tanka has me right from its beginning two lines “my dream is one/
of winter long ago...”. I love how it is phrased and sets the mood
so well, as if in a child's storybook, “Once upon a time, long, long
ago...”. Dreams are by nature elusive, but to believe that their
symbolism (and the symbolism of fairy tales, for that matter) has no
meaning for our everyday lives is to dismiss the cries of the soul.
This tanka says, 'come here, sit and listen, I welcome you to my
world, see what you make of it'. The phrase “cold father” is
again perfectly worded, succinct and strong. The economy of language
throughout this tanka is superb, so much has been said in so little,
without any loss of flow or musicality. Then with the last two lines
– the twist – I'm left wondering, is this a dream during sleep?
Or is this a daydream, an imagining, a wish? Is this true, and if so,
what are the implications to him emotionally, mentally, spiritually?
What are the implications of it as a dream image? The symbolism of
the “cold father” and the “snowman”? To end on such a simple,
childlike image, “helps me build a snowman”, is part of this
tanka's magic. I'm completely moved, taken over by the words, and
sent on a journey to any number of places depending on where I begin
personally with each rereading. It has such depth without losing its
lightness of touch. A stunning tanka and I'm so pleased to award it
as the winner. Richard von Sturmer's DVD 26
Tanka Films
will be coming to you soon!
Runner up:
winter
dreams
how they always show me
the same thing...
you waking from your sleep
in the graveyard
Tracy Davidson (UK)
how they always show me
the same thing...
you waking from your sleep
in the graveyard
Tracy Davidson (UK)
A
close second. I love the melody of the first three lines, which
really draws me in. And the imagery of the final two lines had me
captured – so simple and yet so powerful. Great work, Tracy! A copy
of the latest Eucalypt:
a tanka journal
will be heading your way.
Special
mentions:
the
transparent weave
of this vintage tea-cloth
my fragile dreams
still hand-dried and polished
by the faded green linen
Julie Thorndyke (Australia)
of this vintage tea-cloth
my fragile dreams
still hand-dried and polished
by the faded green linen
Julie Thorndyke (Australia)
This
one took longer to fall for, but once I realised its beauty, I
couldn't let it go. Fine tuned lines, attention to detail and strong
images. Thank you, Julie!
by
the fireplace
the crackle of our laughter
melting into a dream
only the winter moon knows
how long is forever
the crackle of our laughter
melting into a dream
only the winter moon knows
how long is forever
Christine
L. Villa (USA)
This
reminds me so much of hubby and I these winter evenings sitting by
the fire that I loved it from its first reading. “only the winter
moon knows/ how long is forever” - extremely poignant, and
excellent imagery. You have a great tanka future, Chrissi!
‘brass
monkeys’
don’t care about origins—
the wind
coming off the North Sea
pulls tight on my scrotum
Colin Stewart Jones (Scotland)
don’t care about origins—
the wind
coming off the North Sea
pulls tight on my scrotum
Colin Stewart Jones (Scotland)
I
really enjoyed Colin's take on my theme. There were a few tanka that
made me smile and this is the one that stood up to repeated readings.
A strong voice along with the strong winds. Keep it up, Colin!
Congratulations
to you all! I'll probably do this again come July 2013, maybe a haiku
contest next time. For anyone that wants to purchase 26
Tanka Films please
get in touch with Richard von Sturmer, who can be contacted through
his Haiku NZ Showcase page or you can look him up on Facebook.
To find out more about the beautiful tanka journal Eucalypt
(AUS) edited by Beverley George head to the website. And lastly, a big THANK YOU to everyone who helped promote this contest, either through your blog, Facebook, Twitter, website, or just letting your friends know about it!
I
am also gearing up to run a poem(haiku)-a-day (PAD) challenge here at
Swimming in Lines of
Haiku, which I hope
you'll all get involved in. I'm looking towards September 2012, so
stay tuned for updates about this fun project, which I think will be the first of its kind! :)
Kirsten Cliff
31 July 2012
Monday, May 14, 2012
The Longest Title I've Ever Used For A Poem
...Is on this found poem I wrote in 2008. It was the first found poem I'd ever written and I really enjoyed playing with the words from the book On Writing Hits Songs, which I never would have otherwise picked up. (The challenge set by my former poetry group was to choose a book on something you didn't know about to write your found poem). I'm very pleased to say that this piece of found poetry has finally found its home within the pages of Takahe 75 (Issue 1, 2012).
One
place a good song doesn’t come from is the brain
By
Kirsten Cliff
Your
hit song needs a tune:
geek
rock, pure pop, short-back-and-sides
teenage
craze, cocaine cool, extra firepower
primitive
blues, cultural cringe, glam-rock chic
scurried
around the stage like nervous kittens
It
needs a rhythm:
spiky,
rock and roll, one-man jukebox
piss-take,
half-baked, shoe-gazing outsider
irony,
heavy-handed, half send-up, half celebration
echoing
a police siren going past his house
It
needs a verse:
moptops,
British skiffle riff, too-clever-by-half songs
straightforward
popsmith, stream-of-consciousness
tap
into the hoon in us all
And
a chorus:
repetition,
repetition, repetition
short,
hit-filled, sound from another planet
wordplays
involving spooning under the moon
It
needs a title:
shrewd
musical operator
dislocate
all the styles, bundle them together
big
fat hit songs that the whole world wants to sing
And
it needs to sound as if it’s about something:
whatever
works, perfection isn’t the point
Notes:
A found poem based on On
Writing Hit Songs by
Simon Morris (Wellington: Four Winds Press, 2003), from the Montana
Estates Essay Series edited by Lloyd Jones.
You can read another of my found poems here called "Receive Dreams as Messengers from Another Realm", which is the second longest title I've ever used for a poem! :)
You can read another of my found poems here called "Receive Dreams as Messengers from Another Realm", which is the second longest title I've ever used for a poem! :)
Wednesday, May 9, 2012
Dream Catcher: A Rengay With Cara Holman
Dream
Catcher
Kirsten
Cliff & Cara Holman
crosswinds
struggling
not to recall
last
night's dream
the morning sky
filled with rain
drifting
fog
where
does the dream end
and I
begin
dream catcher
I tell myself what
I want to believe
across
dandelioned fields
a
hawk's shadow
river reeds
weaving daydreams
into stories
Published in 'fox dreams' - a Yay Words! project by Aubrie Cox
Labels:
Aubrie Cox,
Cara Holman,
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dandelions,
daydream,
dream catcher,
dreams,
drifting fog,
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fog,
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Kirsten Cliff,
morning,
night,
rain,
rengay,
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shadow,
sky,
Yay Words
Saturday, May 5, 2012
Dream Fragments
gathering
dream fragments
in my mind's eye...
a sheet of white paper
with many coloured pens
Tanka and photograph © Kirsten Cliff
This tanka appeared in Aubrie Cox's latest Yay Words! project 'fox dreams'. Take a look for yourself here at all the amazing haiku, tanka, haiga, doodleku, rengay and other short form poetry. It's a beautiful and inspiring collection, and I'm sure I'll be asking a few of the contributors for their permission to reprint their haiku for my Dream Speak themed stint as the Per Diem editor at The Haiku Foundation. Enjoy! :)
Monday, April 9, 2012
All I have to do is Dream...
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I've been writing a few more dream haiku just recently, inspired by Aubrie Cox's latest call for submissions over at Yay Words! She is putting together another project, this time with a focus on DREAMS and FOXES. Find out how you can be involved here.
I've just finished a dream rengay, especially written for the project, with Cara Holman. This is our third rengay together, and I find it a very enjoyable experience. The first two have been accepted to A Hundred Gourds, which comes out in June. I hope Aubrie likes our latest one, which we've titled 'Dream Catcher'.
Wednesday, March 21, 2012
What Are YOU Reading?
March is NZ Book Month in New Zealand - a celebration of books and reading and words. I thought I'd let you know what I'm reading this March: I always have at least one book each of poetry, fiction and non-fiction on the go at any one time so that I have something to read no matter what mood I'm in.
Poetry:
I'd love to hear about what you're reading. Please feel free to share in the comments section, whether it's a book, journal or blog!
Poetry:
- Stepping Stones: a way into haiku by Martin Lucas (British Haiku Society, 2007)
- And poetry journals that have arrived in March - Kokako 16, paper wasp: a journal of haiku 18:1, Ribbons 7:4.
- The Carpathians by Janet Frame (First published in 1988)
- And I have just finished reading The Anthologist by Nicholson Baker (Simon & Schuster UK, 2009)
- Dreams and the search for meaning by Peter O'Connor (Methuen Haynes, 1986)
- And I'm reading aloud to hubby Marie-Louise von Franz: The Classic Jungian and The Classic Jungian Tradition edited by James A. Hall and Daryl Sharp (Inner City Books, 2008)
I'd love to hear about what you're reading. Please feel free to share in the comments section, whether it's a book, journal or blog!
Labels:
books,
dreams,
fiction,
Janet Frame,
Kokako,
Marie-Louise von Franz,
Martin Lucas,
Nicholson Baker,
nonfiction,
paper wasp,
Peter O'Connor,
poetry,
reading,
Ribbons,
Stepping Stones,
The Carpathians
Monday, March 5, 2012
These are a few of my favourite things...
Haiku and dreams. Dreams of the night
variety, that is. Both are equally important to me, although I'm not
very diligent about writing my dreams down each day, whereas I will
almost always write down my haiku. I hope to get much better at this,
as I value highly what my dreams are telling me. Below is my
favourite quote about dreams that sums up my feelings exactly:
Suppose someone told youthat there was something that spoke to you every night,
that always presented you with a truth about your own life and soul,
that was tailor-made to your individual needs and particular life-story,
and that offered to guide you throughout your lifetime,
and connect you with a source of wisdom far beyond yourself.
And, furthermore, suppose that all of this was absolutely free.
Naturally you would be astonished that something like this existed.Yet this is exactly the way it is with our dreams. ~ John A. Sanford (1975), Dreams and Healing, Paulist Press, NY
My blog title actually comes from a
dream: In it I was literally swimming in lines of haiku and only
awoke, with a sudden start, when I heard hubby's whispered
exclamations as he'd hit his leg on the way into the bedroom (or
something similar). I love water and swimming, so swimming in lines
of haiku was a wonderful experience for me. I'm currently searching out
dream haiku for my month as one of The Haiku Foundation's Per Diem: Daily Haiku editor's with my chosen theme of 'Dream Speak',
the title of which I took from one of my own haiku:
dream
speak...
sunlight
on the opening
tulip's
tips
DailyHaiku Cycle 12 (November 4, 2011)
So,
I thought it was about time I wrote a haiku about my above dream, and came up with this on Friday:
even
in my dreams
swimming
in lines
of
haiku
I'd
wanted to change my blog's welcome picture ever since I moved last
November, as the iconic Mount Manganui and beach scene was now in a
different region to my new home. As of Friday, I have a very
cool photo of rippling water, which I took some years ago in this
region (Waikato) with the well-known Kiwi icon of a silver fern
floating under the surface. And I've added my new haiku into the mix
to convey my two favourite things as well as to give readers, old and
new, some insight into me and my blog's title. I've always liked the image and am happy to be able to give it a fitting home at last.
During
my dream haiku search, I came across the book Inside Out: Haiku and Dreams
by Joseph Kirschner (Deep North Press, 2003). I was overjoyed when, on contacting Joseph and
telling him what I was up to, he kindly sent me a copy of his book as
a gift! Gosh, how I LOVE our haiku community :) I am thoroughly
enjoying reading Inside
Out and
am grateful to read the haiku, dreams and explanations within
it. (You can read a review by Modern Haiku here.) I will certainly look at writing more haiku from my dreams: It
could definitely be a good way to get me to write at least some of my
dream/s down each morning! After all:
Jung observed that dreams perform restorative, corrective, compensatory, prophetic, and developmental roles in our psyche; that to attend to our dreams is to attend to the cry of the soul. ~ From The Art of Dreaming by Jill Mellick (Conari Press, 2001)
Labels:
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books,
DailyHaiku,
dream speak,
dreams,
haiku,
images,
Jill Mellick,
John A. Sanford,
Joseph Kirschner,
Jung,
Per Diem,
photography,
silver fern,
sunlight,
swimming,
The Haiku Foundation,
tulips,
water
Sunday, January 22, 2012
High Risk
she advises
I'm at high risk
of a relapse...
I breathe in air heavy
with crushed dreams
Moonbathing #5 (January, 2012)
Tanka & photograph © Kirsten Cliff
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