The SILOH Tanka Contest: RESULTS

Firstly, my thanks to all who participated in The SILOH Tanka Contest. What an honour to have read and collected these tanka from across the world to celebrate my birthday and the Winter Dream theme. The process of running this contest throughout July has definitely been an enjoyable one as I've connected and reconnected with poets near and far, some new to me, as well as those I call friends. I always feel there is a generosity of spirit in sharing poetry in this manner. We put our hearts into these pieces and then give them away, let them out into the world without us. It has lifted my spirits to have so many of you choose to share your tanka on Swimming in Lines of Haiku. My heartfelt gratitude goes out to each and every one of you.

There were so many good, healthy tanka submitted that it was very hard to choose a winner. I received many more submissions than I could have imagined. A total of more than the age I'll be turning this birthday! Entries came from the USA (18), UK (6), New Zealand (3), Canada (2), Philippines (2), Australia (2), Singapore, Serbia, France and Japan, totalling 37. After finally making a short list, and then over repeated readings, there was one that kept springing from the page, one that pulled an emotional and musical chord within me that wouldn't quit. But before I reveal the winning tanka, I want to share some of my favourite lines from the poems entered, in no particular order:

I grasp the edge of my dream Chen-ou Liu (Canada)

the choices I didn’t make Asni Amin (Singapore)

to the last beat of my heart Claire Everett (UK)

the full thunder moon Andrea Grillo (US)

Cicadas scream love songs Charles T. Whipple (Japan)

Thank you for sharing these wonderful words with me, dear poets. Of course, you can read each of these tanka in full on the entries page. 

In the winning tanka, I was looking to be deeply moved. Tanka is a very emotional experience for me: the reading and the writing of it. So much so that I find I can't read too many in one sitting, and that I most often write them myself when I'm feeling low physically, emotionally and/or spiritually. The power of the poem has a strength that I know can carry me away, beyond my immediate surroundings and current mood, into a place that's often easier to keep hidden. Tanka perhaps stay with me longer than haiku as more of my self is needed to fully be present with the poem. The shift I feel with a stunning tanka is immense, and the winner here had to take me on a journey.

But I'm greedy: I also wanted lyricism. Tanka is, after all, poetry. I wanted words and phrases that flowed, that fitted to perfection, no flaws or missteps present. No punctuation or line breaks that stuck out as not sitting right with me. I wanted words that sat together comfortably and exquisitely as a whole, as well as individual lines and images. And I found it...

my dream is one
of winter long ago...
my cold father
whom first I met late in life
helps me build a snowman

André Surridge (New Zealand)

Author's statement: I love the versatility of tanka. It allows you to write about anything, real or imagined. As with haiku, every word counts but tanka allows a little more breathing space. I always feel that writing tanka is an opportunity to get closer to the essence.

André's tanka has me right from its beginning two lines “my dream is one/ of winter long ago...”. I love how it is phrased and sets the mood so well, as if in a child's storybook, “Once upon a time, long, long ago...”. Dreams are by nature elusive, but to believe that their symbolism (and the symbolism of fairy tales, for that matter) has no meaning for our everyday lives is to dismiss the cries of the soul. This tanka says, 'come here, sit and listen, I welcome you to my world, see what you make of it'. The phrase “cold father” is again perfectly worded, succinct and strong. The economy of language throughout this tanka is superb, so much has been said in so little, without any loss of flow or musicality. Then with the last two lines – the twist – I'm left wondering, is this a dream during sleep? Or is this a daydream, an imagining, a wish? Is this true, and if so, what are the implications to him emotionally, mentally, spiritually? What are the implications of it as a dream image? The symbolism of the “cold father” and the “snowman”? To end on such a simple, childlike image, “helps me build a snowman”, is part of this tanka's magic. I'm completely moved, taken over by the words, and sent on a journey to any number of places depending on where I begin personally with each rereading. It has such depth without losing its lightness of touch. A stunning tanka and I'm so pleased to award it as the winner. Richard von Sturmer's DVD 26 Tanka Films will be coming to you soon!

Runner up:

winter dreams
how they always show me
the same thing...
you waking from your sleep
in the graveyard

Tracy Davidson (UK)

A close second. I love the melody of the first three lines, which really draws me in. And the imagery of the final two lines had me captured – so simple and yet so powerful. Great work, Tracy! A copy of the latest Eucalypt: a tanka journal will be heading your way.

Special mentions:

the transparent weave
of this vintage tea-cloth
my fragile dreams
still hand-dried and polished
by the faded green linen

Julie Thorndyke (Australia)

This one took longer to fall for, but once I realised its beauty, I couldn't let it go. Fine tuned lines, attention to detail and strong images. Thank you, Julie!

by the fireplace
the crackle of our laughter
melting into a dream
only the winter moon knows
how long is forever

Christine L. Villa (USA)

This reminds me so much of hubby and I these winter evenings sitting by the fire that I loved it from its first reading. “only the winter moon knows/ how long is forever” - extremely poignant, and excellent imagery. You have a great tanka future, Chrissi!

‘brass monkeys’
don’t care about origins—
the wind
coming off the North Sea
pulls tight on my scrotum

Colin Stewart Jones (Scotland)

I really enjoyed Colin's take on my theme. There were a few tanka that made me smile and this is the one that stood up to repeated readings. A strong voice along with the strong winds. Keep it up, Colin!

Congratulations to you all! I'll probably do this again come July 2013, maybe a haiku contest next time. For anyone that wants to purchase 26 Tanka Films please get in touch with Richard von Sturmer, who can be contacted through his Haiku NZ Showcase page or you can look him up on Facebook. To find out more about the beautiful tanka journal Eucalypt (AUS) edited by Beverley George head to the website. And lastly, a big THANK YOU to everyone who helped promote this contest, either through your blog, Facebook, Twitter, website, or just letting your friends know about it!

I am also gearing up to run a poem(haiku)-a-day (PAD) challenge here at Swimming in Lines of Haiku, which I hope you'll all get involved in. I'm looking towards September 2012, so stay tuned for updates about this fun project, which I think will be the first of its kind! :)

Kirsten Cliff

31 July 2012 

Keeping My Spirits High This July

Almost a week into July already and I haven't yet shown you my calendar page for the month! Below is the July page of the haiku and photography calendar that I made for my family as Christmas presents. (If you search under "calendar" on my blog you will find the other months so far.) Click on the image to enlarge.

July 2012 - Kirsten's Calendar of Haiku & Photography 

The haiku received an Honorable Mention in the Haiku International Association Haiku Contest (Japan) 2009. And the photo was taken at Te Puke Cemetery in 2010 (I think! - have visited a lot of them over the past few years, all for the purposes of photography. I'm an angle hunter:).

I have a few haiku and tanka activities going on this month, all of which are helping keep my spirits up as I progress through my last two months of maintenance treatment for leukaemia.

The first is my tanka competition, The SILOH Tanka Contest, which I'm running to celebrate my birthday (July 31st). The theme is 'Winter Dream' and you'll find all the details for entering at the link above. You can also read and comment on the entries that have already come in here.

The prize, which I'm very excited to be give away, is Richard von Sturmer's unique and amazing DVD 26 Tanka Films. I look forward to awarding the winner with this excellent prize, and then hearing how much they enjoyed it! I have 18 entries already so it's going to be a hard one to judge. I might end up awarding a runner-up prize, of which I have just the thing, so watch this space :)

A few of my friends in the on-line haiku/tanka community are July babies as well so keep an eye out for other contests and giveaways about the blogs. Margaret Dornaus is inviting you to share one of your "moon" tanka on her blog here and she'll be giving away a copy of Makoto Ueda‘s Modern Japanese Tanka.

I'm also finding inspiration in collaboration this month. I'm part of two renku currently being written through cyber-space. The first is a junicho being lead by Sandra Simpson. We began this during the renku workshop at Haiku Festival Aotearoa and have continued on afterwards via the Issa's Snail site. You can pop in and see what we're up to here. I've also started a new rengay (or two, or three...) with Cara Holman, after a short break. If you search "rengay with Cara Holman" on my blog you will find a few that we've written. Enjoy!

The SILOH Tanka Contest Is Open!

It's July 1st and for my birthday month this year I'm running a tanka competition here on Swimming in Lines of Haiku – The SILOH Tanka Contest. I hope you'll come and join me in celebrating my birthday and our vibrant haiku and tanka community! :)

Entry Details:

• One entry per person, to be posted in the comments section of this post.
• Please also put your name, country and email address underneath your tanka - you can use the (at) and (dot) format to avoid spam.
• Previously unpublished tanka only please; although it's okay to submit a tanka that has appeared on Facebook or your personal blog.
• All tanka will then be transferred to this post where entrants can share positive feedback on each others poems. (Please note this is not a place for critiquing work.)
• Please don't be concerned if you don't see your tanka on the page of entries - it may take me a day or two to do them as they come in, health permitting.

• The theme is 'Winter Dream' – however you wish to interpret it. My birthday is in the winter months here in New Zealand so I always associate winter with my birthday, and dreams are a very important part of my life. The words do not need to appear in the tanka. Have fun with it!

• Contest opens: Sunday, July 1, 2012 and closing deadline is Monday, July 23, 2012

• Judge is myself – Kirsten Cliff

• Winner will be announced on Tuesday, July 31, 2012 – My birthday :)

• Prize for the winner is 26 Tanka Films (DVD) by Richard von Sturmer
  
• Please note you will need to provide your postage address should you be awarded the prize.

If you have any problems posting your entry into the comments section below, you can email it to me here. Please feel free to ask any questions below, or email me if you are having problems.

What is Tanka?

This description by Yoel Hoffmann in his book Japanese Death Poems:

Most tanka contain two poetic images. The first is taken from nature; the second, which may proceed, follow, or be woven into the first, is a kind of meditative complement to the nature image. Tanka produce a certain dreamlike effect, presenting images of reality without that definite quality of "realness" often possessed by photographs or drawings, as if the images proceeded directly from the mind of the dreamer. The tanka poet may be likened to a person holding two mirrors in his hand, one reflecting a scene from nature, the other reflecting himself as he holds the first mirror. The tanka thus provides a look at nature, but it regards the observer of nature as well.

I found this description within Richard von Sturmer's judge's report of the 3rd Kokako Tanka Competition, in Kokako 14 (April, 2011) and had to share it. It's the philosophy of tanka writing that I was taught in a workshop with Owen Bullock in December 2009. I've been writing tanka ever since.