Unless stated otherwise, all poetry on Swimming in Lines of Haiku is Copyright Kirsten Cliff and may not be reprinted in any form without written permission from the author. kirsten(DOT)cliff(AT)gmail(DOT)com
Showing posts with label haiku collection. Show all posts
Showing posts with label haiku collection. Show all posts

Friday, September 13, 2013

Persistent Rain

bone marrow biopsy --
through my internal tears
a doctor talks
of the persistent rain
on his summer holiday

Kokako 19 (September 2013)

Thankfully all my treatments (and related procedures!) for leukaemia ended a year ago this month. Although I'm still considered high risk, a label that will stay with me for life, I have remained in remission for three years now, so all is looking good. I have also finally completed my collection of haiku and tanka that explore my journey through this experience. It is now with some very generous readers, and then I hope to enter it in the Snapshot Press Book Awards.

My work has just come out in Kokako, A Hundred Gourds and A Fine Line. I've recently had work accepted for Skylark, Presence and Contemporary Haibun Online. And have submitted work to The Heron's Nest, A Hundred Gourds, and the Australia-New Zealand Haiku Anthology. Now I'm getting my entry ready for the Kokako Haiku and Senryu Competition, as well as making haiku cards to take to the fair. Collaborations are still continuing, with Seanan Forbes writing haiku and tanka for some of my photos from Fiji. Never a dull moment!

Don't forget about the Svetlana Marisova Memorial Kukai 2013 (closing September 14th), which marks two years since Sveta's passing from cancer.

waking 
from a dream --
on my lips
I find the word
arohanui*


*Maori for with love/deep affection
RIP Svetlana Marisova


Wednesday, December 12, 2012

A Puzzle of Poetry

I'm pleased to say that I have begun playing with the puzzle that is my first poetry collection, Patient Property. I've been writing for this collection since being diagnosed with leukaemia in March 2010, and it's only recently that my treatment has finally come to a conclusion. That's a lot of experiences to draw on!

At this stage all the relevant haiku, senryu, tanka, and haibun I've written over the past 2+ years is printed out and blue-tacked onto the back of my study door. From there I'm working out in what order the poems should appear, what stays and what goes, and if there are any gaps in my story for which new works need to be written.

Having never done this before, I can tell you it's a challenging job; though no bigger a task than I had expected it would be. I think I'll be a good few months working my way through the ups and downs of this process. I'm very grateful that a few fellow poets have already put their hands up to be early readers.

In the meantime (and long before my book sees the world!) will be my appearance in A New Resonance 8: Emerging Voices in English-Language Haiku. I'm very excited to have my haiku chosen for this volume, which will see a sizable body of my work published in one place for the first time. Many thanks to editors Jim Kacian and Dee Evetts, and all those who have supported my haiku habit over the past six years!

Now I just have to get over the small shock I feel every time I close my study door and am suddenly confronted with a wall of poetry! How is it that I keep forgetting it's there . . .


Monday, August 6, 2012

breakfast with epiphanies

This year Owen Bullock started his own e-newsletter called The Greensplat Newsletter to keep those he has worked with in the poetry world in touch with what he's up to with his workshops, mentoring and other events. In his first issue he showcased one of my tanka, and I wrote a bit about his involvement in my poetry career:

It's a pleasure for any teacher to see a Former Student go on to enjoy success and publication. One such name that makes me glow with pride is Kirsten Cliff. She has kindly allowed me to re-print one of her tanka and a few comments which she sent me:

re-negotiating
my drug regime
with the doctors
I tell them that today
they may see me cry

Kirsten Cliff (first published in paper wasp 17:3)

"You have certainly played an instrumental part in my developing as a poet: being the first to say my haiku was good and that I should submit to Kokako, then teaching me through the Waiariki course and again recommending I seek publication for some of my poems, right through to your tanka workshop with the Papamoa Poets group, which got me firmly on the tanka trail." Kirsten

Kirsten is now one of New Zealand's most frequently published poets in the genres of haiku and tanka, appearing in a range of journals internationally. Her work was anthologised in the taste of nashi - New Zealand Haiku.

I'm now pleased to tell you about his newest haiku collection, breakfast with epiphanies.  

  
                                           two attempts
                                           at the trouser leg
                                           New Year's Day 


“Reading breakfast with epiphanies reminds us again why Owen Bullock is one of New Zealand’s most accomplished haiku poets. Owen’s haiku makes its impact quickly with a minimum of words. The haiku enter our minds the way experience of the physical world does, through our senses. In each of his finely-crafted poems, he directs our attention to specific moments, helps us to celebrate them and to let them go. Owen’s finely honed haiku explore a range of ideas, from the self, to his innermost thoughts about relationships, to his delight in nature.”
Patricia Prime, Co-editor of Kokako


                                            log split
                                            a moth
                                            flies out


Owen Bullock began writing haiku in 1999 and since then his work has appeared in numerous journals and anthologies, such as Presence, The Heron's Nest, Magnapoets, Red Moon, etc, in seven countries. This is his second collection of haiku, following wild camomile (Post Pressed, Australia, 2009). He also publishes tanka, haibun and renga, as well as longer forms of poetry, and fiction. Owen has been an editor of Spin, Kokako, Bravado and Poetry NZ, and was one of the editors of Take Five: Best Contemporary Tanka, Volume IV.

Copies of Owen Bullock's new collection of haiku, breakfast with epiphanies, can be purchased direct from him by cheque to: 890 State Highway 2, RD1, Katikati 3177, priced NZ$20 (plus $2 p&p; $4 outside NZ). Or email him to arrange a direct transfer. Find out more at: http://www.owenbullock.com/